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You Had Me at ‘One of Prokofiev’s Most Moving Melodies’

Written for Rostropovich, this cello work is challenging but worth the effort

Composer Sergei Prokofiev

Title of Work Symphonie Concertante in E minor, Op. 125

Edition International Edition (1963); Boosey & Hawkes (1951)

Considered by Ovidiu Marinescu, cellist, conductor, educator, and highly sought-after soloist and recitalist. He is the director of the West Chester University Symphony, which under his leadership made a sold-out debut at the Kimmel Center in Philadelphia and embarked on its first European tour. His most recent recording is of the Bach Solo Cello Suites on the Navona label.

Recently, I have been working on the Symphonie Concertante in E minor, Op. 125, by Sergei Prokofiev, preparing for performances with the West Chester University Symphony and Helena Symphony. The work was composed between 1950–51 (revised in 1952). Politics and drama affected the approval of the work by the censors at the Composers’ Union, for whom the cellist Mstislav Rostropovich and pianist Sviatoslav Richter had to present a private performance. In addition to Prokofiev having been declared “an enemy of the people” in 1948 by Soviet Union officials, the work raised concern for his paraphrase of a theme by composer Vladimir Zacharov.

The piece is based on his Cello Concerto, Op. 58 (1933–38), which had been poorly received at the premiere—after years of insistence, Rostropovich persuaded Prokofiev to revise the earlier work.

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*This article appeared in Strings January 2012
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