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Virtuoso violinist applies the onstage lessons to emerging role as an educator
By James ReelPlaying ancient music can optimize learning in the modern classroom
By Danielle GomezKeeping students engaged will help build loyalty
By Louise Lee3 ways to provide the proper setting and supply context for grown-ups
By Christopher RobertsLearn to cover the six components of good bowmanship: bow angles, speed, grip, pressure, lanes, and levels
By Mimi ButlerCreate a marketable image and cultivate networks for success
By Louise LeeCello teacher shares how to cater to aural, visual, and kinesthetic learners in a group setting
By Danielle GomezWhat the non-bassist string teacher needs to know about equipment, instruction, & direction
By Miranda WilsonOn the frontlines of public-school string education, success often is measured in small victories—and a milk shake or two . . . or three . . .
By Bruce WoodYale pedagogue shares tips on becoming a better teacher and student
By Christopher RobertsUnbeknownst to buyers, many music teachers get commissions for helping students find instruments
By Susan M. BarbieriHow to teach students to add lyricism to their playing
By Judith GlydeYouth groups with volunteer string clinicians provide instructional materials
By James ReelNew document will help teachers and administrators shape string programs and provide a standardized teaching tool
By Christopher RobertsTop educators meet at 2009 American String Teachers Association National Conference in Atlanta, Georgia
By Rory WilliamsNational strings curriculum, eclectic festival signal a new wave of teaching methods and style
By Rory WilliamsRabbath brings deep expression and astonishing technique to his playing, even at age 75
By James Reel5 practical approaches for the everyday classroom
By Ava Michelle Tab4 ways to develop a fresh approach to teaching scales and arpeggios
By Deryn Cullen