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What you need to look for
By Greg CahillIt was a jewel in the rough
By Sarah FreibergCellos are the most vulnerable to accidents
By James McKeanAll instruments, bass to violoncello, plus bows
By Greg CahillWhat sold and didn't at Sotheby's, Christie's
ByWhat sold, what didn't at Sotheby's, Bonhams, Chrisitie's
By Greg CahillHow to repair the violin's 'vital organ'
By James McKeanThe value of using a C.T. scan to pinpoint an instrument's 'illness'
By David BeckerLuthiers have to pay close attention to what nature provides
By John SangsterChoosing the right strings for the right reasons
By Sarah FreibergCovering the basic differences between Baroque and modern stringed instruments and bows
By Sarah FreibergIn humid weather, the wood swells and becomes more malleable
By James McKeanIt's all about the f-holes
By James McKeanViolin maker Eric Meyer is concerned about the future of his favorite wood
By John SangsterThe scroll—which will be preserved and reattached to the Baroque-style neck—is sawed away from the modern neck.?
By Sarah FreibergPhoto essay Part I
By Sarah FreibergIf it says it's a Strad, look again at the fine print
By James McKeanCrafting a scroll is a masterful endeavor
By James McKeanIt takes a pro to clean a violin properly
By James McKeanThe scroll's functionality? Beauty alone
By James McKean