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Page 1 2

What you need to look for

By Greg Cahill

It was a jewel in the rough

By Sarah Freiberg

Cellos are the most vulnerable to accidents

By James McKean

All instruments, bass to violoncello, plus bows

By Greg Cahill

What sold and didn't at Sotheby's, Christie's

By

What sold, what didn't at Sotheby's, Bonhams, Chrisitie's

By Greg Cahill

How to repair the violin's 'vital organ'

By James McKean

The value of using a C.T. scan to pinpoint an instrument's 'illness'

By David Becker

Luthiers have to pay close attention to what nature provides

By John Sangster

Choosing the right strings for the right reasons

By Sarah Freiberg

Covering the basic differences between Baroque and modern stringed instruments and bows

By Sarah Freiberg

In humid weather, the wood swells and becomes more malleable

By James McKean

It's all about the f-holes

By James McKean

Violin maker Eric Meyer is concerned about the future of his favorite wood

By John Sangster

The scroll—which will be preserved and reattached to the Baroque-style neck—is sawed away from the modern neck.?

By Sarah Freiberg

Photo essay Part I

By Sarah Freiberg

If it says it's a Strad, look again at the fine print

By James McKean

Crafting a scroll is a masterful endeavor

By James McKean

It takes a pro to clean a violin properly

By James McKean

The scroll's functionality? Beauty alone

By James McKean
Page 1 2

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