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Ravel’s ‘Tzigane’ is a great chance to flex your interpretive chops
By Augustin HadelichRecently premiered work reveals the composer’s youthful passion
By Stephanie ChaseJames Ehnes considers Bartók's Violin Concerto No. 1 a masterpiece in its own right
By James EhnesExploring the possibilities of your instrument from a non-Western perspective
By Cornelius Dufallocan help inform your playing
The Heifetz violin transcription of 'Summertime' is a visceral experience
By Anne Akiko MeyersViolinist explores a stellar contemporary composition
By Jennifer ChoiLet out your inner rock star
By Mark FewerScholarship is important, but don't let it get in the way of musicality
By Jeremy KurtzA kinder,gentler Beethoven steps out of the shadows
By Stefan HeinemeyerTurtle Island Quartet cellist reveals his love for the chamber music of a 19th-century Romantic ingenue
By Mark SummerThis exciting piece is a chance to indulge both classical and traditional interests
By Bonnie Bewick BrownThere's always room for cello, even on a violist's music stand
By Helen CallusAn American masterwork that finds something to believe in
By John LargessFor Caroline Goulding, sharing a birthday with the dedicatee of this violin work is just one source of its appeal
By Caroline GouldingIntense harmonies and rhythmic variations are the order of the day
By Patrick NeherString Quintet No. 18 is a pure gem for chamber players in search of a richly textured work
By Chi-Chi NwanokuTapping into Texas boogie by way of New Orleans R&B legend Dr. John
By Randy SabienMohammed Fairouz’s Sonata for solo violin is a personal and a political statement
By Rachel Barton PineThe Stanford Concerto is reborn in an upcoming critical edition
By Gemma RosefieldThis showpiece for the viola is like a visit from an old and trusted friend
By Ron Gorevic